DLA-RS1000/DLA-RS2000/DLA-RS3000 - tryby ustawień w zależności od modelu posiadanego ekranu projekcyjnego
|
Brand
|
Screen
|
Mode
|
|
-
|
-
|
0*
|
|
-
|
1*
|
|
-
|
2*
|
|
-
|
3*
|
|
CARADA
|
Classic Cinema White (Gs 1.0)
|
4
|
|
Brilliant White (Gs 1.4)
|
5
|
|
High Contrast Gray (Gs 0.8)
|
6
|
|
DA-LITE
|
MATTE WHITE
|
7
|
|
HIGH CONTRAST MATTE WHITE
|
8
|
|
VIDEO SPECTRA 1.5
|
9
|
|
SILVER MATTE
|
10
|
|
HIGH POWER
|
11
|
|
DA-MAT
|
12
|
|
HIGH CONTRAST DA-MAT
|
13
|
|
CINEMA VISION
|
14
|
|
HIGH CONTRAST CINEMA VISION
|
15
|
|
PEARLESCENT
|
16
|
|
DUAL VISION
|
17
|
|
AUDIO VISION
|
18
|
|
HIGH CONTRAST AUDIO VISION
|
19
|
|
HIGH CONTRAST CINEMA PERL
|
20
|
|
3D VIRTUAL GREY
|
21
|
|
HD PROGRESSIVE 0.6
|
22
|
|
HD PROGRESSIVE 0.9
|
23
|
|
DIGIS
|
Hight Contrast Gray (HCG)
|
141
|
|
Mat Whaite (MW)
|
142
|
|
DNP
|
Suｐernova 08-85
|
104
|
|
Supernova 23-23
|
105
|
|
DRAPER
|
FLEXABLE MATTE WHITE
|
24
|
|
FIBERGLASS MATTE WHITE
|
25
|
|
HIGH CONTRAST GREY
|
26
|
|
FLEXIBLE M 1300
|
27
|
|
HIGH DEF GREY
|
28
|
|
M 2500
|
29
|
|
EASTONE
|
E2S
|
30
|
|
ESECO
|
31
|
|
BF-3D Reference
|
96
|
|
ELITE
|
CineWhite
|
89
|
|
PowerGain
|
90
|
|
Elite MaxWhite
|
91
|
|
MaxWhite FG
|
92
|
|
SilverGrey
|
93
|
|
ELUNE VISION
|
Reference PureBright 4K 240
|
109
|
|
Reference Studio 4K 80
|
110
|
|
Reference Studio 4K 100
|
111
|
|
Reference Studio AudioWeave 4K
|
112
|
|
AURORA 4K 1.3
|
134
|
|
AURORA PERFORATED 4K 1.3
|
136
|
|
REFERENCE AUDIOWEAVE 4K+
|
137
|
|
GRANDVIEW
|
GRANDVIEW WHITE
|
37
|
|
KAUBER
|
Clear Vision (CLV)
|
143
|
|
Microperforated White (MPERFW)
|
144
|
|
White Flex (WFLEX)
|
145
|
|
Gray Flex (GFLEX)
|
146
|
|
Gray Pro (GPRO)
|
147
|
|
KIKUCHI
|
WA
|
32
|
|
AM
|
33
|
|
AG
|
34
|
|
PG
|
35
|
|
MALIBU
|
36
|
|
GRACE MATT 100
|
101
|
|
WAC
|
102
|
|
SILVER
|
107
|
|
Dressty 4K
|
115
|
|
Lambda
|
Studio SCIENCE UHD 1.0 WHITE
|
135
|
|
MicroliteScreen
|
FRONT 1.2
|
122
|
|
FRONT 2.4
|
123
|
|
MULTIVISION
|
Cinecitta 240
|
149
|
|
Woven sound fabric
|
150
|
|
High Contrast
|
151
|
|
Mattpreview
|
152
|
|
ORAY
|
B3100100
|
38
|
|
B1100100 32/100
|
39
|
|
B1100100 25/100
|
40
|
|
BC100100
|
41
|
|
N3100100 MICROPERF
|
42
|
|
N3100100 SUPER BLANC
|
43
|
|
OS
|
WG103
|
44
|
|
WG107G
|
45
|
|
WG201
|
46
|
|
WG206
|
47
|
|
WG207
|
48
|
|
WT101
|
49
|
|
WF201
|
50
|
|
WF202
|
51
|
|
WF203
|
95
|
|
WF301
|
106
|
|
WF302
|
108
|
|
SunnyWhite
|
52
|
|
BS101
|
53
|
|
BU102
|
54
|
|
PP201
|
55
|
|
BU202
|
94
|
|
BU201
|
103
|
|
HF102
|
148
|
|
PROCOLOR
|
MATTE WHITE C
|
56
|
|
MATTE WHITE P
|
57
|
|
SAYMOUR AV
|
CENTER STAGE XD
|
129
|
|
CENTER STAGE UF
|
130
|
|
GLACIER WHITE
|
131
|
|
MATINEE BLACK
|
132
|
|
MATINEE SILVER
|
133
|
|
SAYMOUR SCREEN EXCELLENCE
|
ENLIGHTOR BRIGHT
|
124
|
|
ENLIGHTOR 4K
|
125
|
|
AMBIENT VISIONAIRE 1.2
|
126
|
|
AMBIENT VISIONAIRE 1.3
|
127
|
|
AMBIENT VISIONAIRE 2.1
|
128
|
|
SCREEN RESEARCH
|
ClearPix2
|
58
|
|
SI
|
Lunar HD.85
|
59
|
|
Solar HD1.3
|
60
|
|
Gamma HD1.1
|
61
|
|
Gamma Maestro HD1.1
|
62
|
|
Lunar Maestro HD.85
|
63
|
|
Black Diamond II HD0.8 Black
|
64
|
|
Black Diamond II HD1.4 Black
|
65
|
|
SLATE .8
|
113
|
|
SLATE 1.2
|
114
|
|
Stewart
|
SnowMatte 100
|
66
|
|
Ultramatte 130
|
67
|
|
Ultramatte 150
|
68
|
|
Ultramatte 200
|
69
|
|
StudioTek 100
|
70
|
|
StudioTek 130 G3
|
71
|
|
GrayMatte 70
|
72
|
|
FireHawk SST
|
73
|
|
FireHawk G3
|
74
|
|
FireHawk G4
|
120
|
|
GrayHawk RS
|
75
|
|
GrayHawk RS G4
|
116
|
|
SILVER 3D
|
97
|
|
SILVER 5D
|
98
|
|
Tela 80
|
117
|
|
Tiburon G2
|
118
|
|
Reflections 3D
|
121
|
|
Reflections Active 170 3D
|
99
|
|
HARMONY
|
138
|
|
ESTERO 100
|
139
|
|
NEVE
|
140
|
|
STUMPFL
|
FLEX WHITE CI
|
100
|
|
Theaterhouse
|
White Matte HD
|
76
|
|
Theater Matte HD
|
77
|
|
VUTEC
|
MATTEWHITE
|
78
|
|
BRIGHT WHITE
|
79
|
|
VUFLEX PRO
|
80
|
|
PEARL BRIGHT
|
81
|
|
GREYDOVE
|
82
|
|
SOUND SCREEN-5
|
83
|
|
SOUND SCREEN-15
|
84
|
|
GREYDOVE SOUND SCREEN
|
85
|
|
TWIN VU
|
86
|
|
PREFORATED LEADER
|
87
|
|
SILVER STAR
|
88
|
*Jeżeli żaden z powyższych należy wybrać tryb od 0 do 3
- 0: OFF
- 1: Odpowiedni do uzyskania odcienia czerwonego
- 2: Odpowiedni do uzyskania odcienia zielonego
- 3: Odpowiedni do uzyskania odcienia niebieskiego
* Tabela dostosowania trybu zalecana przez JVC
* Dokładność rezultatów po wybraniu któregokolwiek z trybów nie uwzględnia warunków pomieszczenia, tak więc powyższa tabela powinna być postrzegana jako kierunek działania.
* Tryb któregokolwiek użytego tybu nie uwzględnia jakości ekranu.